<http://id.pkar.knowledgetx.com/resource/xf3VFjs8CqMfr84Y> <http://id.pkar.knowledgetx.com/schema#submissionID> <http://id.pkar.knowledgetx.com/submission/ErFTZG17rL1vDMfv> .
<http://id.pkar.knowledgetx.com/resource/xf3VFjs8CqMfr84Y> <http://id.pkar.knowledgetx.com/schema#submissionID> <http://id.pkar.knowledgetx.com/submission/bV52pa7tZrDZpVuZ> .
<http://id.pkar.knowledgetx.com/resource/xf3VFjs8CqMfr84Y> <http://www.w3.org/1999/02/22-rdf-syntax-ns#type> <http://id.pkar.knowledgetx.com/schema#Collection> .
<http://id.pkar.knowledgetx.com/resource/xf3VFjs8CqMfr84Y> <http://id.pkar.knowledgetx.com/schema#hasPreferredRepresentation> <http://id.pkar.knowledgetx.com/resource/19joLmTdx6lLTh4T> .
<http://id.pkar.knowledgetx.com/resource/xf3VFjs8CqMfr84Y> <http://id.pkar.knowledgetx.com/schema#description> "Fictitious firm that produced most of my art work between 1999 and 2006, focused on usable objects which take up a ritualistic role." .
<http://id.pkar.knowledgetx.com/resource/xf3VFjs8CqMfr84Y> <http://id.pkar.knowledgetx.com/schema#sourcePath> "lii" .
<http://id.pkar.knowledgetx.com/resource/xf3VFjs8CqMfr84Y> <http://id.pkar.knowledgetx.com/schema#contentType> <http://id.pkar.knowledgetx.com/schema#Collection> .
<http://id.pkar.knowledgetx.com/resource/xf3VFjs8CqMfr84Y> <http://id.pkar.knowledgetx.com/schema#lastModified> "1790403868"^^<http://www.w3.org/2001/XMLSchema#long> .
<http://id.pkar.knowledgetx.com/resource/xf3VFjs8CqMfr84Y> <http://id.pkar.knowledgetx.com/schema#label> "Le Industrie Invisibili" .
<http://id.pkar.knowledgetx.com/resource/xf3VFjs8CqMfr84Y> <http://www.w3.org/1999/02/22-rdf-syntax-ns#type> <http://id.pkar.knowledgetx.com/schema#Resource> .
<http://id.pkar.knowledgetx.com/resource/xf3VFjs8CqMfr84Y> <http://www.w3.org/1999/02/22-rdf-syntax-ns#type> <http://id.pkar.knowledgetx.com/schema#Container> .
<http://id.pkar.knowledgetx.com/resource/xf3VFjs8CqMfr84Y> <http://id.pkar.knowledgetx.com/schema#submitted> "1790403159"^^<http://www.w3.org/2001/XMLSchema#long> .